{"title":"Works on Paper","description":"\u003cp\u003eUnique works on paper — drawings, monotypes, watercolors, and other one-of-a-kind pieces.\u003c\/p\u003e","products":[{"product_id":"green-yellow-red-high-seas","title":"Green, Yellow, Red: High Seas","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eGreen, Yellow, Red: High Seas\u003cbr\u003eWatercolor monotype on paper\u003cbr\u003e18 × 16 in.\u003cbr\u003eUnique impression (1\/1)\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eThe sea takes over. Color fields — green, yellow, red — stack and bleed into each other. No vessel, no figure, just open water. Bradford painted directly onto the plate with watercolor for a single pass through the press. This is the only impression. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"18x16 in","offer_id":47860306968714,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/d45d669fde36a071d2586aa95d0110e6j.jpg?v=1757791139"},{"product_id":"ferry-boat","title":"Ferry Boat","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eFerry Boat, 2013\u003cbr\u003eWatercolor monotype\u003cbr\u003e16 × 18 in.\u003cbr\u003eUnique impression (1\/1)\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eA flat, loaded vessel on water — people packed in, the structure of the boat barely holding together. Bradford painted directly onto the plate with watercolor and ran it through the press once. This is the only impression that will ever exist from this image. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"16x18 in","offer_id":47860306837642,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/15439a577cb33f732eeb92bf982947d3p.png?v=1757791146"},{"product_id":"untitled-girl-with-dog","title":"Untitled (Girl with dog)","description":"\u003cp\u003eNils Karsten (German, b. 1970, Hamburg; lives and works in Brooklyn)\u003cbr\u003eUntitled (Girl with dog)\u003cbr\u003eGraphite on paper\u003cbr\u003e30 × 22.5 in.\u003c\/p\u003e\u003cp\u003eKarsten studied at the School of Visual Arts and Skowhegan School of Painting \u0026amp; Sculpture. He has exhibited in New York, Berlin, Shanghai, and Istanbul. Faculty at the School of Visual Arts, NYC.\u003c\/p\u003e\u003cp\u003eA girl sits with a dog. The drawing is mostly graphite — soft modeling that drifts between classical figure drawing and something looser, more cartoon-like. Karsten's figures always carry that double register. They look observed and invented at the same time. The dog is rendered with the same attention as the girl. Large-scale work on paper — nearly two and a half feet tall.\u003c\/p\u003e","brand":"Nils Karsten","offers":[{"title":"30x22.5 in","offer_id":47860311621770,"sku":null,"price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/bef21bfd32ef20df74daceebfe6d309dj.jpg?v=1757791155"},{"product_id":"steamboat-crossing","title":"Steamboat Crossing","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eSteamboat Crossing\u003cbr\u003eMonoprint, unique impression (1\/1)\u003cbr\u003e13 × 18 in.\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eA steamboat moves through open space with nothing around it — no horizon, no shore. The vessel floats in the middle of the sheet, isolated. A unique monoprint, meaning the base plate carried an edition but this particular impression was pulled with unique hand-applied elements that make it one of a kind. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"13x18 in","offer_id":47860309196938,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/8e7e1956338ec4132061d413383b7a5aj_5e2bf61e-3f59-424d-8614-ded06e9a35f9.jpg?v=1757793842"},{"product_id":"arrangement","title":"Arrangement","description":"\u003cp\u003eJane Hammond (American, b. 1950)\u003cbr\u003eArrangement\u003cbr\u003eUnique botanical collage, work on paper\u003cbr\u003eSigned by the artist.\u003c\/p\u003e\u003cp\u003eHammond's work is in over 75 museum collections including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the National Gallery of Art, and SFMoMA. She received a Guggenheim Fellowship in 2019.\u003c\/p\u003e\u003cp\u003eA layered botanical collage — cut paper, printed elements, and drawn marks built up into a dense, intricate composition. Hammond constructs her images from a personal lexicon of found imagery, assembling each piece from hundreds of small decisions. This is a unique work, not an edition.\u003c\/p\u003e","brand":"Jane Hammond","offers":[{"title":"Default Title","offer_id":47860305395850,"sku":null,"price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/a50e41acc069e9f22f679f5b760d5598p.png?v=1757793865"},{"product_id":"wonderboy","title":"Wonderboy","description":"\u003cp\u003eNils Karsten (German, b. 1970, Hamburg; lives and works in Brooklyn)\u003cbr\u003eWonderboy, 2003\u003cbr\u003eGraphite and watercolor on paper\u003cbr\u003e29.25 × 22 in.\u003c\/p\u003e\u003cp\u003eKarsten studied at the School of Visual Arts and Skowhegan School of Painting \u0026amp; Sculpture. He has exhibited in New York, Berlin, Shanghai, and Istanbul. Faculty at the School of Visual Arts, NYC.\u003c\/p\u003e\u003cp\u003eA child stands facing the viewer, wearing a Wonder Woman costume. Graphite and watercolor — the modeling is soft, the costume bright. Karsten draws children with a directness that avoids sentimentality. The figure just stands there, looking back at you, fully committed to being a superhero. Nearly two and a half feet tall on paper.\u003c\/p\u003e","brand":"Nils Karsten","offers":[{"title":"Default Title","offer_id":47860312047754,"sku":null,"price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/4d7a2a8516c11ef47068bc429e2f3461.jpg?v=1757793868"},{"product_id":"the-discovery-of-the-new-world-6-hips-of-the-father","title":"The Discovery of the New World #6 (Hips of the Father)","description":"\u003cp\u003eCandice Lin (American, b. 1979)\u003cbr\u003eThe Discovery of the New World #6 (Hips of the Father), 2004\u003cbr\u003eGraphite on paper\u003cbr\u003e8 × 10 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eLin has exhibited at the Whitechapel Gallery, Walker Art Center, and the Venice Biennale (2022). Her work is in the collection of the Hammer Museum. She is Associate Professor at UCLA. Represented by François Ghebaly, Los Angeles.\u003c\/p\u003e\u003cp\u003eA spare interior — a metal-frame bed, a figure, a room stripped to its essentials. Lin's graphite drawings are one facet of a broader practice that spans installation, fermentation, and living materials. But the drawings stand on their own. This one is quiet, contained, and precisely rendered. Part of her Discovery of the New World series examining colonial history through the body.\u003c\/p\u003e","brand":"Candice Lin","offers":[{"title":"Default Title","offer_id":47860310573194,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/b23501a855ea70b20ce5cdc9983231eaj.jpg?v=1757793874"},{"product_id":"steamboat-g-y-long-red-monotype","title":"Steamboat G, Y, Long Red Monotype","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eSteamboat G, Y, Long Red Monotype, 2013\u003cbr\u003eWatercolor monotype\u003cbr\u003e16 × 18 in.\u003cbr\u003eUnique impression (1\/1)\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eGreen, yellow, and a long stroke of red build around the steamboat form. Bradford painted directly onto the plate with watercolor and pulled a single impression. The watercolor sits differently on pressed paper than it would on canvas — thinner, more translucent, with the texture of the press showing through. This is the only print. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"Default Title","offer_id":47048714190986,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/c078393680573e7370367bfb2c98533a.jpg?v=1757793876"},{"product_id":"untitled-pastoral","title":"Untitled Pastoral","description":"\u003cp\u003eElisabeth Higgins O'Connor (American, b. 1963)\u003cbr\u003eUntitled Pastoral, 2006\u003cbr\u003eWork on paper\u003cbr\u003e24 × 23 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eO'Connor received a Joan Mitchell Foundation MFA Fellowship and an artist residency at the Bemis Center for Contemporary Arts. Her work has been reviewed in Artforum and featured at The Contemporary Jewish Museum in San Francisco. Teaching faculty at UC Davis.\u003c\/p\u003e\u003cp\u003eA teeming cast of figures — gas-masked wanderers, animals, hybrid forms packed into a landscape that's somewhere between pastoral and post-apocalyptic. O'Connor builds her compositions from found textile scraps and layered mark-making. The drawing has the density of her large-scale sculptural assemblages, compressed onto a single sheet.\u003c\/p\u003e","brand":"Elisabeth Higgins O'Connor","offers":[{"title":"24x23 in","offer_id":47860311818378,"sku":null,"price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/541dbf9d221d564fe1322fed28679b22j.jpg?v=1757793883"},{"product_id":"drunk-tiger","title":"Drunk Tiger","description":"\u003cp\u003eKottie Paloma (American, b. 1974, Los Angeles; based in Vienna)\u003cbr\u003eDrunk Tiger, 2007\u003cbr\u003eDrawing on paper\u003cbr\u003e13.5 × 16.25 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003ePaloma's work and publications are in the collections of Tate Modern, the Museum of Modern Art, the Library of Congress, Harvard, Yale, and Stanford. Represented by Saatchi Yates, London. Studied at California College of the Arts.\u003c\/p\u003e\u003cp\u003eA magnificently rumpled tiger sprawls across the page, looking like it just got back from somewhere it shouldn't have been. Paloma draws animals and figures with a loose, punk energy — fast marks, vivid color, no corrections. The tiger is funny and alive. The title is the whole story.\u003c\/p\u003e","brand":"Kottie Paloma","offers":[{"title":"Default Title","offer_id":47860306444426,"sku":null,"price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/0c93cdb9c6bbaa5d6c507270f276626aj.jpg?v=1779925027"},{"product_id":"baby-bird","title":"Baby Bird","description":"\u003cp\u003eMichael Rosenthal (American, b. 1946, California)\u003cbr\u003eBaby Bird, 2022\u003cbr\u003eWatercolor on paper\u003cbr\u003e16 × 20 in., framed\u003c\/p\u003e\u003cp\u003eRosenthal studied at CalArts in the 1970s with John Baldessari, Allan Kaprow, and Nam June Paik. He ran Michael Rosenthal Contemporary Art gallery in San Francisco.\u003c\/p\u003e\u003cp\u003eTwo girls in matching blue dresses against a deep field of grey and indigo. One cradles a small bird's nest in cupped hands; the other looks on. The figures emerge from the paper itself, built in a few confident washes of watercolor rather than rendered. A quiet moment of shared care, held together by the transparency of the medium.\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"Default Title","offer_id":47048716189834,"sku":null,"price":1050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/5e319aafb9928f90edd997a6b5a4d878.jpg?v=1757794141"},{"product_id":"electrolux-2","title":"Electrolux 2","description":"\u003cp\u003eMichael Rosenthal (American, b. 1946, California)\u003cbr\u003eElectrolux 2\u003cbr\u003eMonotype on paper\u003c\/p\u003e\u003cp\u003eRosenthal studied at CalArts in the 1970s with John Baldessari, Allan Kaprow, and Nam June Paik. He ran Michael Rosenthal Contemporary Art gallery in San Francisco.\u003c\/p\u003e\u003cp\u003eThe vacuum cleaner again — a domestic object elevated to subject. Vivid blue floor, ochre wall, the Electrolux sitting in the middle of a room like a still life from a house where the cleaning never quite gets finished. Rosenthal pulls the monotype in one pass. The medium forces decisiveness. What goes down stays down.\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"Default Title","offer_id":47048717828234,"sku":null,"price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/318b184b33b0724b2306b88e1df0836e.jpg?v=1757794062"},{"product_id":"electrolux","title":"Electrolux","description":"\u003cp\u003eMichael Rosenthal (American, b. 1946, California)\u003cbr\u003eElectrolux, 2008\u003cbr\u003eMonotype on paper\u003cbr\u003e16 × 20 in.\u003cbr\u003eSigned lower right. Professionally framed.\u003c\/p\u003e\u003cp\u003eRosenthal studied at CalArts in the 1970s with John Baldessari, Allan Kaprow, and Nam June Paik. He ran Michael Rosenthal Contemporary Art gallery in San Francisco.\u003c\/p\u003e\u003cp\u003eThe original Electrolux monotype — the vacuum cleaner as domestic icon. Rosenthal treats the appliance with the same seriousness a Dutch master would give a pewter jug. One pass through the press, one chance to get the color and composition right. The monotype process is unforgiving, and the result has a freshness that planned painting can't replicate.\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"16x20 in","offer_id":47860306739338,"sku":null,"price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/6d4c37b844b718e0b659f746bf4e595ej.jpg?v=1757794119"},{"product_id":"michael-rosenthal-san-jose-history","title":"Mike Stamps","description":"\u003cp\u003eMichael Rosenthal (American, b. 1946, California)\u003cbr\u003eMike Stamps\u003cbr\u003eMixed media \/ print\u003cbr\u003e24 × 18 in.\u003cbr\u003eFrom: Mike's Gift Shop\u003c\/p\u003e\u003cp\u003eRosenthal studied at CalArts in the 1970s with John Baldessari, Allan Kaprow, and Nam June Paik. He ran Michael Rosenthal Contemporary Art gallery in San Francisco.\u003c\/p\u003e\u003cp\u003eA sheet of stamps — Rosenthal's face repeated in a grid, formatted like a perforated stamp sheet. From the Mike's Gift Shop series. The piece echoes Warhol's serial imagery and Ray Johnson's mail art, but with Rosenthal's particular brand of deadpan self-promotion. Conceptual art disguised as a souvenir.\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"Default Title","offer_id":47420672180362,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/Michael_Rosenthal_san_jose_history_Jpg.jpg?v=1764938280"},{"product_id":"lunch_party_naples","title":"Lunch in Naples","description":"\u003cp\u003eMichael Rosenthal (American, b. 1946, California)\u003cbr\u003eLunch in Naples\u003cbr\u003eWatercolor on paper\u003c\/p\u003e\u003cp\u003eRosenthal studied at CalArts in the 1970s with John Baldessari, Allan Kaprow, and Nam June Paik. He ran Michael Rosenthal Contemporary Art gallery in San Francisco.\u003c\/p\u003e\u003cp\u003eA lunch scene in Naples — the table, the food, the light of southern Italy captured in watercolor. Rosenthal paints travel the way he experiences it: through meals, through color, through the specific quality of light in a place he hasn't been before. Watercolor on paper, painted on location or shortly after. 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Represented by François Ghebaly, Los Angeles.\u003c\/p\u003e\u003cp\u003eGraphite and ink on paper — a drawing from Lin's Discovery of the New World series, which examines colonial history through bodies, rituals, and the politics of contact. Lin's interest in power structures and material culture shows even in her most intimate works on paper. This drawing is compact and loaded.\u003c\/p\u003e","brand":"Candice Lin","offers":[{"title":"Default Title","offer_id":47420672704650,"sku":null,"price":1350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/Candice_Lin.jpg?v=1775581067"},{"product_id":"jennie-ottinger","title":"Untitled","description":"\u003cp\u003eJennie Ottinger (American, b. 1971)\u003cbr\u003eUntitled\u003cbr\u003eAcrylic on paper, framed\u003cbr\u003e18 × 24 in.\u003c\/p\u003e\u003cp\u003eOttinger holds a BFA from California College of the Arts and an MFA from Mills College. Represented by Rebecca Camacho Presents, San Francisco.\u003c\/p\u003e\u003cp\u003eOttinger paints the small awkward rituals of daily life — doctor visits, uniformed processions, figures caught in the middle of something they can't quite explain. Her paintings draw from documentary photography and historical images, filtering American life through a distorted, slightly off-kilter lens. 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He founded the Museum of Contemporary Art Oaxaca (MACO) and the Oaxaca Graphic Arts Institute (IAGO), and donated his 180,000-object collection to the Mexican government.\u003c\/p\u003e\u003cp\u003eToledo drew animals his whole life — insects, fish, turtles, lizards, bats. They come from the Zapotec cosmology he grew up with in Juchitán. Three fishes and three turtles, rendered in his characteristic line — loose, precise, and alive. The animals aren't illustrations. 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Rosenthal uses whatever is at hand, and the material becomes part of the composition. Collage elements layered into the paint. The stripes vibrate against each other on a support that was never meant to be a painting.\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"12x6 in","offer_id":47860310245514,"sku":null,"price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/stripes12x8.png?v=1775161772"},{"product_id":"kesting","title":"Untitled","description":"\u003cp\u003e\u003cstrong\u003eLeo Kesting\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUntitled\u003c\/em\u003e, 2008\u003cbr\u003eInk on hand-torn paper, framed\u003cbr\u003e8 × 6.5 inches (frame); 5 × 3.5 inches (image)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePurchased directly from the artist in 2008. 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