{"title":"Museum Collection","description":"","products":[{"product_id":"steamboat-emerald-1","title":"Steamboat Emerald","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKatherine Bradford\u003c\/strong\u003e (American, b. 1942)\u003cbr\u003e\n\u003cem\u003eSteamboat Emerald\u003c\/em\u003e\u003cbr\u003e\nCarborundum print\u003cbr\u003e\nApproximately 18 × 16 in.\u003cbr\u003e\nEdition 10\/10\u003cbr\u003e\nSigned by the artist. Unframed.\u003c\/p\u003e\n\n\u003cp\u003eAn emerald steamboat in carborundum — the printmaking technique Bradford uses to push pigment into the surface with painterly weight. The final impression in the edition.\u003c\/p\u003e\n\n\u003ch4\u003eA note on edition size\u003c\/h4\u003e\n\u003cp\u003eAn edition of ten is, in contemporary printmaking, deliberately small. Most editions today are sized between fifty and two hundred impressions, with commercial lithograph and poster editions sometimes running into the thousands. Editions of ten are reserved for collaborations between artists and master printers who want each impression to retain the rarity — and the per-piece value — of a closely held work. As Bradford's market grows, small editions like this one become progressively harder, and more expensive, to acquire on the secondary market.\u003c\/p\u003e\n\n\u003ch4\u003eProvenance — direct from Oehme Graphics\u003c\/h4\u003e\n\u003cp\u003eThis impression was produced at Oehme Graphics in Steamboat Springs, Colorado — the master print shop run by Sue Oehme, longtime collaborator with Katherine Bradford and one of the most respected printers working with contemporary American painters today. I acquired the studio's holdings of these editions directly from Sue. The work has not previously circulated on the public market: Oehme Graphics is an active, in-demand studio, and the editions sat with the printer rather than being released to dealers. That is why a print of this caliber — by an artist whose primary market has climbed sharply since these were pulled in 2018 — is still available at original gallery pricing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003eA rare opportunity for new collectors to acquire museum-quality work by one of today's most important American painters — at print pricing.\u003c\/h3\u003e\n\n\u003cp\u003eKatherine Bradford's paintings are held in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Brooklyn Museum, the Hirshhorn Museum, Crystal Bridges Museum of American Art, the Musée d'Art Moderne in Paris, the Baltimore Museum of Art, the Dallas Museum of Art, the Portland Museum of Art, the Menil Collection, the Frye Art Museum, and the Nerman Museum of Contemporary Art, among others. Her primary-market paintings now trade at prices reserved for blue-chip artists. Her prints — produced in tightly limited editions and unique impressions — remain the single most accessible way to bring her work into a private collection.\u003c\/p\u003e\n\n\u003ch4\u003eCurrent and forthcoming\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCommunal Table\u003c\/em\u003e, solo exhibition at Canada Gallery, New York (2025)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKatherine Bradford\u003c\/em\u003e, ICA at MECA, Portland, Maine — March through May 2026\u003c\/li\u003e\n\u003cli\u003eSolo presentation forthcoming at the Baltimore Museum of Art\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFlying Woman: The Paintings of Katherine Bradford\u003c\/em\u003e, the artist's first traveling museum survey, organized by the Portland Museum of Art and presented at the Frye Art Museum, Seattle (2022 – 2024)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch4\u003eAwards and honors\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGuggenheim Fellowship\u003c\/li\u003e\n\u003cli\u003eJoan Mitchell Foundation Painters \u0026amp; Sculptors Grant\u003c\/li\u003e\n\u003cli\u003eTwo awards from the American Academy of Arts and Letters\u003c\/li\u003e\n\u003cli\u003eThe Rappaport Prize (2021)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA regular presence in museum programming, Bradford has spoken and been interviewed at the Portland Museum of Art, the Frye Art Museum, MoMA PS1, and the Brooklyn Museum in connection with her exhibitions and her place in contemporary American painting.\u003c\/p\u003e\n\n\u003ch4\u003eWhy now\u003c\/h4\u003e\n\u003cp\u003eBradford came to her singular subject — luminous, tender figures of swimmers, ships, superheroes, and divers — late, and her market has accelerated rapidly over the last five years as institutional recognition has caught up to her practice. Editions like the one offered here are typically the first works to leave a collector's wishlist when an artist's primary market climbs.\u003c\/p\u003e\n\n\u003cp\u003eEvery print ships with a Certificate of Authenticity and provenance documentation, direct from the gallery.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"18x16 in","offer_id":47860307198090,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/SteamboatEmerald.jpg?v=1781808216"},{"product_id":"steamboat-usa","title":"Steamboat USA","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eSteamboat USA\u003cbr\u003eCarborundum print\u003cbr\u003e18 × 16 in.\u003cbr\u003eEdition 7\/10\u003cbr\u003eSigned by the artist. \u003cstrong\u003eArchival framed.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\n\u003cp\u003eA red, white, and blue hull pushes across a dark ground. Bradford's signature steamboat in the colors of the flag. The carborundum process — silicon carbide mixed into adhesive on the plate — gives the print real physical depth and a painterly weight that most printmaking can't touch. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"18x16 in","offer_id":47860309688458,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/SteamboatUSA.jpg?v=1781808218"},{"product_id":"night-moves-6","title":"Night Moves 6","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003ePatrick Brennan (American, b. Syracuse, NY)\u003cbr\u003e\u003cem\u003eNight Moves 6\u003c\/em\u003e, 2020\u003cbr\u003eAcrylic on canvas\u003cbr\u003e10 × 8 in.\u003c\/p\u003e\u003cp\u003eBrennan has exhibited at MoMA\/PS1, Artist Space, Galerie Lelong, and Clifton Benevento in New York, Romer Young Gallery in San Francisco, V1 Gallery in Copenhagen, and Halsey McKay Gallery. He received a NYFA Fellowship in Painting in 2015 and has been reviewed in The New York Times, Modern Painters, Hyperallergic, and The Brooklyn Rail. His abstractions layer paint, dye, and spray against dark grounds — here, geometric forms nest inside each other on a deep blue-black field while a mesh of pink and green lines warps across a triangular shape above. The painting reads like a diagram of signal or frequency without naming it, built in thin precise lines against heavy, mottled texture.\u003c\/p\u003e\u003cp\u003eAcquired from the Famous Artists of Williamsburg Pop-Up Covid Survival Exhibit \u0026amp; Very Excellent Art Sale, organized by Jane Fine and James Esber at 179 Grand Street, Brooklyn, 2020. The show brought together seventeen Williamsburg artists during lockdown and was dedicated to Matt Freedman.\u003c\/p\u003e","brand":"Patrick Brennan","offers":[{"title":"10x8 in","offer_id":47860307787914,"sku":null,"price":1525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/NightMoves6.jpg?v=1781808218"},{"product_id":"swell-guys","title":"Swell Guys","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eLeon Golub (American, 1922–2004)\u003cbr\u003eSwell Guys, 1992\u003cbr\u003eLithograph\/screenprint\u003cbr\u003e19.5 × 15 in.\u003cbr\u003eEdition 42\/95\u003c\/p\u003e\u003cp\u003eGolub's work is in the collections of the Metropolitan Museum of Art, the National Gallery of Art, the Whitney Museum of American Art, the Smithsonian, and Tate. Retrospectives at the Met (2018) and Tate (2015). Represented by Hauser \u0026amp; Wirth. He received the Hiroshima Art Prize and the Skowhegan Medal for Painting.\u003c\/p\u003e\u003cp\u003eTwo figures, side by side, grinning. Golub built his career painting mercenaries, interrogators, and the machinery of political violence. By 1992 his figures had loosened — still menacing, but with a dark humor. The title says it all. Printed in a combined lithograph and screenprint process that gives the image both the softness of stone printing and the flat punch of screen ink.\u003c\/p\u003e","brand":"Leon Golub","offers":[{"title":"19.5x15 in","offer_id":47860310474890,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/SwellGuys.jpg?v=1781808220"},{"product_id":"toscane-rain","title":"Toscane Rain","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eJan Montyn (Dutch, 1924–2015)\u003cbr\u003eToscane Rain, 1983\u003cbr\u003eEtching\u003cbr\u003e11 × 16 in.\u003cbr\u003eEdition 11\/30\u003c\/p\u003e\u003cp\u003eMontyn's work is in the collections of the Museum of Modern Art in New York, the Bibliothèque Nationale in Paris, and Museum Boijmans Van Beuningen in Rotterdam. Self-taught, he was mentored by Dutch artist Anton Heyboer.\u003c\/p\u003e\u003cp\u003eRain over Tuscany — the landscape dissolving in weather. Montyn lived through the Second World War on the Eastern Front, and the experience marked everything he made. His etchings carry a rawness that comes from working directly on the plate with minimal planning. Small editions, no commercial polish. The line work here is quick and atmospheric — you feel the rain before you see the landscape.\u003c\/p\u003e","brand":"Jan Montyn","offers":[{"title":"11x16 in","offer_id":47860311130250,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/ToscaneRain.jpg?v=1781808259"},{"product_id":"untitled-pastoral","title":"Untitled Pastoral","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eElisabeth Higgins O'Connor (American, b. 1963)\u003cbr\u003eUntitled Pastoral, 2006\u003cbr\u003eWork on paper\u003cbr\u003e24 × 23 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eO'Connor received a Joan Mitchell Foundation MFA Fellowship and an artist residency at the Bemis Center for Contemporary Arts. Her work has been reviewed in Artforum and featured at The Contemporary Jewish Museum in San Francisco. Teaching faculty at UC Davis.\u003c\/p\u003e\u003cp\u003eA teeming cast of figures — gas-masked wanderers, animals, hybrid forms packed into a landscape that's somewhere between pastoral and post-apocalyptic. O'Connor builds her compositions from found textile scraps and layered mark-making. The drawing has the density of her large-scale sculptural assemblages, compressed onto a single sheet.\u003c\/p\u003e","brand":"Elisabeth Higgins O'Connor","offers":[{"title":"24x23 in","offer_id":47860311818378,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/UntitledPastoral.jpg?v=1781808260"},{"product_id":"drunk-tiger","title":"Drunk Tiger","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eKottie Paloma (American, b. 1974, Los Angeles; based in Vienna)\u003cbr\u003eDrunk Tiger, 2007\u003cbr\u003eDrawing on paper\u003cbr\u003e13.5 × 16.25 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003ePaloma's work and publications are in the collections of Tate Modern, the Museum of Modern Art, the Library of Congress, Harvard, Yale, and Stanford. Represented by Saatchi Yates, London. Studied at California College of the Arts.\u003c\/p\u003e\u003cp\u003eA magnificently rumpled tiger sprawls across the page, looking like it just got back from somewhere it shouldn't have been. Paloma draws animals and figures with a loose, punk energy — fast marks, vivid color, no corrections. The tiger is funny and alive. The title is the whole story.\u003c\/p\u003e","brand":"Kottie Paloma","offers":[{"title":"13.5x16.25 in","offer_id":47860306444426,"sku":null,"price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/DrunkTiger.jpg?v=1781808260"},{"product_id":"long-fall","title":"Long Fall","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eJanis Provisor (American, b. 1946)\u003cbr\u003eLong Fall, 1989\u003cbr\u003eLimited edition print\u003cbr\u003e32.5 × 22 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eProvisor's work is in the collections of the National Gallery of Art, the Albright-Knox Art Museum, the Ludwig Museum in Aachen, and the Oakland Museum of Art. She has printed with Shark's Ink and Crown Point Press, and exhibited at Holly Solomon Gallery alongside Judy Pfaff and Mary Heilmann.\u003c\/p\u003e\u003cp\u003eCascading clusters of dark, berry-like forms tumble through the composition. Provisor combines lithography, woodcut, chine collé, and metallic-leaf grounds — layering printmaking techniques the way a painter layers glazes. Nine years in Hong Kong deepened her interest in decorative pattern and material richness. This print has that density.\u003c\/p\u003e","brand":"Janis Provisor","offers":[{"title":"32.5x22 in","offer_id":47860307394698,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/LongFall.jpg?v=1781808261"},{"product_id":"negative-sheep","title":"Negative Sheep","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eDaryl V. Storrs (American, Vermont)\u003cbr\u003eNegative Sheep\u003cbr\u003eWoodcut print on paper\u003cbr\u003e24 × 32 in.\u003c\/p\u003e\u003cp\u003eProvenance:\u003cbr\u003eCollection of Michael Rosenthal, San Francisco; formerly Michael Rosenthal Contemporary Art\u003c\/p\u003e\u003cp\u003eStorrs apprenticed with Vermont printmaker Sabra Field and holds an MFA in Printmaking from the University of Massachusetts Amherst. She has been awarded a residency at MacDowell.\u003c\/p\u003e\u003cp\u003eA woodcut worked in the negative — the flock reading as carved white against the inked ground, the image pared down to its essential shapes.\u003c\/p\u003e","brand":"Daryl V Storrs","offers":[{"title":"24x32 in","offer_id":47860307689610,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/NegativeSheep.jpg?v=1781808261"},{"product_id":"catherine_wagner","title":"Standard For Success","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eCatherine Wagner (American, b. 1953)\u003cbr\u003eStandard For Success, 1988\u003cbr\u003ePhotograph\u003cbr\u003e24 × 18 in.\u003c\/p\u003e\u003cp\u003eWagner's photographs are in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum, Tate Modern, the V\u0026amp;A, LACMA, and SFMoMA. She received a Guggenheim Fellowship and the Rome Prize. Professor of Art at Mills College since 1979.\u003c\/p\u003e\u003cp\u003eA photograph from Wagner's ongoing investigation of American institutions — classrooms, laboratories, construction sites, the built environments where culture gets made and transmitted. This image carries the cool, precise eye she brings to every subject. Wagner photographs systems, not moments.\u003c\/p\u003e","brand":"Catherine Wagner","offers":[{"title":"24x18 in","offer_id":47860309000330,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/StandardForSuccess.jpg?v=1781808262"},{"product_id":"brown-cow","title":"Brown Cow","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eAlun Williams (British, b. 1961, Manchester)\u003cbr\u003eBrown Cow\u003cbr\u003eOil on canvas\u003cbr\u003e20 × 30 in.\u003cbr\u003eBased in New York\u003c\/p\u003e\u003cp\u003eWilliams studied painting at the University of Wales and the Royal College of Art. He has exhibited in New York, London, and across Europe.\u003c\/p\u003e\u003cp\u003eA brown cow, standing. Williams paints animals and figures with a thick, loaded brush — the surface builds up in ridges and valleys of oil paint. The cow fills the canvas, solid and present. No background drama, no compositional tricks. Just the animal, painted with the kind of attention that only comes from looking at something for a long time.\u003c\/p\u003e","brand":"Alun Williams","offers":[{"title":"20x30 in","offer_id":47860305690762,"sku":null,"price":2850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/BrownCow.jpg?v=1781808263"},{"product_id":"jennie-ottinger","title":"Untitled","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eJennie Ottinger (American, b. 1971)\u003cbr\u003eUntitled\u003cbr\u003eAcrylic on paper, framed\u003cbr\u003e18 × 24 in.\u003c\/p\u003e\u003cp\u003eOttinger holds a BFA from California College of the Arts and an MFA from Mills College. Represented by Rebecca Camacho Presents, San Francisco.\u003c\/p\u003e\u003cp\u003eOttinger paints the small awkward rituals of daily life — doctor visits, uniformed processions, figures caught in the middle of something they can't quite explain. Her paintings draw from documentary photography and historical images, filtering American life through a distorted, slightly off-kilter lens. The figures are rendered loosely enough that you recognize the situation before you recognize the people.\u003c\/p\u003e","brand":"Jennie Ottinger","offers":[{"title":"18x24 in","offer_id":47420672737418,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/UntitledOttinger.jpg?v=1781808293"},{"product_id":"joseph-zirker-untitled","title":"Untitled","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eJoseph Zirker (American, 1924–2022)\u003cbr\u003eUntitled\u003cbr\u003eCast acrylic monotype\u003cbr\u003e32 × 24 in.\u003cbr\u003eUnique impression\u003c\/p\u003e\u003cp\u003eProvenance:\u003cbr\u003eCollection of Michael Rosenthal, San Francisco; formerly Michael Rosenthal Contemporary Art\u003c\/p\u003e\u003cp\u003eZirker's work is in the collections of the Smithsonian Institution, the Brooklyn Museum, the Fine Arts Museums of San Francisco, and the Cantor Arts Center at Stanford. He was a member of the National Academy of Design and received two Pollock-Krasner Foundation Awards. He invented and patented the cast acrylic monotype process and wrote two books on the technique.\u003c\/p\u003e\u003cp\u003eZirker spent nearly seventy years making prints. He invented a monotype process using cast acrylic — pouring acrylic medium onto a surface and pulling a single impression. The result has a translucency and depth that traditional ink monotypes can't achieve. This is a unique work — one impression, unrepeatable.\u003c\/p\u003e","brand":"Joseph Zirker","offers":[{"title":"32x24 in","offer_id":47420677095562,"sku":null,"price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/UntitledZirker.jpg?v=1781808296"},{"product_id":"kesting","title":"Untitled","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLeo Kesting\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUntitled\u003c\/em\u003e, 2008\u003cbr\u003eInk on hand-torn paper, framed\u003cbr\u003e8 × 6.5 inches (frame); 5 × 3.5 inches (image)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePurchased directly from the artist in 2008. Professionally framed and ready for display.\u003c\/p\u003e","brand":"Leo Kesting","offers":[{"title":"8x6.5 in","offer_id":47420678373514,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/UntitledKesting.jpg?v=1781808298"},{"product_id":"artwork-117","title":"Bumper Car","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eSuzi Poling (American)\u003cbr\u003eBumper Car\u003cbr\u003ePhotograph\u003cbr\u003e30 × 34 in.\u003c\/p\u003e\u003cp\u003eProvenance:\u003cbr\u003eCollection of Michael Rosenthal, San Francisco; formerly Michael Rosenthal Contemporary Art\u003c\/p\u003e\u003cp\u003ePoling's work is held in collections including the Bemis Center, Columbia College Chicago, and the 530 Collection (Chicago). Her photograph was the cover of a 2004 Metropolitan Museum of Art catalogue. Represented by Carrie Secrist Gallery, Chicago.\u003c\/p\u003e\u003cp\u003eBack in the 1950s, I had an unforgettable time riding bumper cars at Coney Island Amusement Park in Brighton Beach, Brooklyn. Coney Island was a paradise for kids like me, with Nathan's Hot Dogs, the most delicious French fries, the Parachute Jump, Giant Hardwood Slides, the Steeplechase, and Alfred E. Newman's iconic images everywhere you looked. It was like my first time exploring the world of fear, just like climbing Mt. Everest. This photo captures that magic and transports me back in time. —Michael\u003c\/p\u003e","brand":"Suzi Poling","offers":[{"title":"30x34 in","offer_id":47420678471818,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/BumperCar.jpg?v=1781808299"},{"product_id":"painting-by-maja-ruznic","title":"Maja Ruznic","description":"\u003cp\u003e\u003cstrong\u003ePrice on request.\u003c\/strong\u003e Available by inquiry — contact \u003ca href=\"mailto:michael@michaelrosenthalart.com\"\u003emichael@michaelrosenthalart.com\u003c\/a\u003e or call \u003ca href=\"tel:+14155521010\"\u003e415-552-1010\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eMaja Ruznic (Bosnian-American, b. 1983, Bosnia-Herzegovina)\u003cbr\u003eUntitled\u003cbr\u003ePainting\u003cbr\u003e14 × 8 in. (image size)\u003cbr\u003eUnique work\u003c\/p\u003e\u003cp\u003eProvenance:\u003cbr\u003eAcquired directly from the artist, 2011; exhibited Michael Rosenthal Contemporary Art, San Francisco, 2012\u003c\/p\u003e\u003cp\u003eRuznic's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, SFMoMA, the Dallas Museum of Art, and the Musée d'Art Moderne in Paris. She was included in the 2024 Whitney Biennial. Represented by KARMA, New York and Los Angeles.\u003c\/p\u003e\u003cp\u003eRuznic fled the Bosnian War at age nine and settled in San Francisco. Her paintings carry the weight of that displacement — figures dissolve into washes of color, forms emerge and recede like memories surfacing. She paints in thin, translucent layers that build up slowly. The surface glows. One of the most acclaimed painters of her generation.\u003c\/p\u003e","brand":"Maja Ruznic","offers":[{"title":"14x8 in","offer_id":49204343079050,"sku":null,"price":4850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/ruznic6-19-26finalkeepercopy.jpg?v=1781915308"}],"url":"https:\/\/michaelrosenthalart.com\/collections\/museum-collection.oembed","provider":"Michael Rosenthal Art","version":"1.0","type":"link"}