{"title":"Limited Edition Prints","description":"\u003cp\u003eSigned and numbered editioned prints — etchings, carborundum prints, lithographs, and screenprints.\u003c\/p\u003e","products":[{"product_id":"stripe-people","title":"Stripe People","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eStripe People\u003cbr\u003eLimited edition print\u003cbr\u003e15.5 × 20 in.\u003cbr\u003eEdition 20\/25\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eBradford's stripped-down human forms — a figure built with just a few marks, wearing horizontal stripes. One of the few editioned prints in the collection rather than a unique monotype. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"15.5x20 in","offer_id":47860309819530,"sku":null,"price":1050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/Striped_People.png?v=1764534192"},{"product_id":"steamboat-emerald-1","title":"Steamboat Emerald","description":"\u003cp\u003e\u003cstrong\u003eKatherine Bradford\u003c\/strong\u003e (American, b. 1942)\u003cbr\u003e\n\u003cem\u003eSteamboat Emerald\u003c\/em\u003e\u003cbr\u003e\nCarborundum print\u003cbr\u003e\nApproximately 18 × 16 in.\u003cbr\u003e\nEdition 10\/10\u003cbr\u003e\nSigned by the artist. Unframed.\u003c\/p\u003e\n\n\u003cp\u003eAn emerald steamboat in carborundum — the printmaking technique Bradford uses to push pigment into the surface with painterly weight. The final impression in the edition.\u003c\/p\u003e\n\n\u003ch4\u003eA note on edition size\u003c\/h4\u003e\n\u003cp\u003eAn edition of ten is, in contemporary printmaking, deliberately small. Most editions today are sized between fifty and two hundred impressions, with commercial lithograph and poster editions sometimes running into the thousands. Editions of ten are reserved for collaborations between artists and master printers who want each impression to retain the rarity — and the per-piece value — of a closely held work. As Bradford's market grows, small editions like this one become progressively harder, and more expensive, to acquire on the secondary market.\u003c\/p\u003e\n\n\u003ch4\u003eProvenance — direct from Oehme Graphics\u003c\/h4\u003e\n\u003cp\u003eThis impression was produced at Oehme Graphics in Steamboat Springs, Colorado — the master print shop run by Sue Oehme, longtime collaborator with Katherine Bradford and one of the most respected printers working with contemporary American painters today. I acquired the studio's holdings of these editions directly from Sue. The work has not previously circulated on the public market: Oehme Graphics is an active, in-demand studio, and the editions sat with the printer rather than being released to dealers. That is why a print of this caliber — by an artist whose primary market has climbed sharply since these were pulled in 2018 — is still available at original gallery pricing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003eA rare opportunity for new collectors to acquire museum-quality work by one of today's most important American painters — at print pricing.\u003c\/h3\u003e\n\n\u003cp\u003eKatherine Bradford's paintings are held in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Brooklyn Museum, the Hirshhorn Museum, Crystal Bridges Museum of American Art, the Musée d'Art Moderne in Paris, the Baltimore Museum of Art, the Dallas Museum of Art, the Portland Museum of Art, the Menil Collection, the Frye Art Museum, and the Nerman Museum of Contemporary Art, among others. Her primary-market paintings now trade at prices reserved for blue-chip artists. Her prints — produced in tightly limited editions and unique impressions — remain the single most accessible way to bring her work into a private collection.\u003c\/p\u003e\n\n\u003ch4\u003eCurrent and forthcoming\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCommunal Table\u003c\/em\u003e, solo exhibition at Canada Gallery, New York (2025)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKatherine Bradford\u003c\/em\u003e, ICA at MECA, Portland, Maine — March through May 2026\u003c\/li\u003e\n\u003cli\u003eSolo presentation forthcoming at the Baltimore Museum of Art\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFlying Woman: The Paintings of Katherine Bradford\u003c\/em\u003e, the artist's first traveling museum survey, organized by the Portland Museum of Art and presented at the Frye Art Museum, Seattle (2022 – 2024)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch4\u003eAwards and honors\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGuggenheim Fellowship\u003c\/li\u003e\n\u003cli\u003eJoan Mitchell Foundation Painters \u0026amp; Sculptors Grant\u003c\/li\u003e\n\u003cli\u003eTwo awards from the American Academy of Arts and Letters\u003c\/li\u003e\n\u003cli\u003eThe Rappaport Prize (2021)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA regular presence in museum programming, Bradford has spoken and been interviewed at the Portland Museum of Art, the Frye Art Museum, MoMA PS1, and the Brooklyn Museum in connection with her exhibitions and her place in contemporary American painting.\u003c\/p\u003e\n\n\u003ch4\u003eWhy now\u003c\/h4\u003e\n\u003cp\u003eBradford came to her singular subject — luminous, tender figures of swimmers, ships, superheroes, and divers — late, and her market has accelerated rapidly over the last five years as institutional recognition has caught up to her practice. Editions like the one offered here are typically the first works to leave a collector's wishlist when an artist's primary market climbs.\u003c\/p\u003e\n\n\u003cp\u003eEvery print ships with a Certificate of Authenticity and provenance documentation, direct from the gallery.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"16x18 in","offer_id":47860307198090,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/dc7bf75d8195c977f88cdd0aa283e040j.jpg?v=1763843129"},{"product_id":"steamboat-usa","title":"Steamboat USA","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eSteamboat USA\u003cbr\u003eCarborundum print\u003cbr\u003e18 × 16 in.\u003cbr\u003eEdition 7\/10\u003cbr\u003eSigned by the artist. \u003cstrong\u003eArchival framed.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\n\u003cp\u003eA red, white, and blue hull pushes across a dark ground. Bradford's signature steamboat in the colors of the flag. The carborundum process — silicon carbide mixed into adhesive on the plate — gives the print real physical depth and a painterly weight that most printmaking can't touch. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"18x16 in","offer_id":47860309688458,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/1cb522e4f6ce22d775515d4eabae1052j.jpg?v=1757793854"},{"product_id":"swell-guys","title":"Swell Guys","description":"\u003cp\u003eLeon Golub (American, 1922–2004)\u003cbr\u003eSwell Guys, 1992\u003cbr\u003eLithograph\/screenprint\u003cbr\u003e19.5 × 15 in.\u003cbr\u003eEdition 42\/95\u003c\/p\u003e\u003cp\u003eGolub's work is in the collections of the Metropolitan Museum of Art, the National Gallery of Art, the Whitney Museum of American Art, the Smithsonian, and Tate. Retrospectives at the Met (2018) and Tate (2015). Represented by Hauser \u0026amp; Wirth. He received the Hiroshima Art Prize and the Skowhegan Medal for Painting.\u003c\/p\u003e\u003cp\u003eTwo figures, side by side, grinning. Golub built his career painting mercenaries, interrogators, and the machinery of political violence. By 1992 his figures had loosened — still menacing, but with a dark humor. The title says it all. Printed in a combined lithograph and screenprint process that gives the image both the softness of stone printing and the flat punch of screen ink.\u003c\/p\u003e","brand":"Leon Golub","offers":[{"title":"19.5x15 in","offer_id":47860310474890,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/1e9821e753356a5c2dc96ed1e058b474j.jpg?v=1757793862"},{"product_id":"maloff_apple_tree","title":"Apple Tree","description":"\u003cp\u003eNikki Maloof (American, b. 1988)\u003cbr\u003e\u003cem\u003eApple Tree\u003c\/em\u003e, 2023\u003cbr\u003eHand-finished colored pencil and archival pigment print on Hahnemühle hemp paper\u003cbr\u003e30 × 23.4 in.\u003cbr\u003eEdition of 20, signed and numbered by the artist\u003cbr\u003eCertificate of Authenticity from Exhibition A\u003c\/p\u003e\u003cp\u003eMaloof's work is in the collections of the Dallas Museum of Art, ICA Miami, and the Jorge M. Pérez Collection. She has had solo exhibitions at Perrotin, Jack Hanley Gallery, and Half Gallery. This print — from her 2023 show \u003cem\u003eSkunk Hour\u003c\/em\u003e at Perrotin, New York — is hand-finished by the artist, making each impression unique.\u003c\/p\u003e","brand":"Nikki Maloof","offers":[{"title":"Default Title","offer_id":47048714158218,"sku":null,"price":1350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/97d8b160433f294b7504ce842446ca67.jpg?v=1757793876"},{"product_id":"toscane-rain","title":"Toscane Rain","description":"\u003cp\u003eJan Montyn (Dutch, 1924–2015)\u003cbr\u003eToscane Rain, 1983\u003cbr\u003eEtching\u003cbr\u003e11 × 16 in.\u003cbr\u003eEdition 11\/30\u003c\/p\u003e\u003cp\u003eMontyn's work is in the collections of the Museum of Modern Art in New York, the Bibliothèque Nationale in Paris, and Museum Boijmans Van Beuningen in Rotterdam. Self-taught, he was mentored by Dutch artist Anton Heyboer.\u003c\/p\u003e\u003cp\u003eRain over Tuscany — the landscape dissolving in weather. Montyn lived through the Second World War on the Eastern Front, and the experience marked everything he made. His etchings carry a rawness that comes from working directly on the plate with minimal planning. Small editions, no commercial polish. The line work here is quick and atmospheric — you feel the rain before you see the landscape.\u003c\/p\u003e","brand":"Jan Montyn","offers":[{"title":"Default Title","offer_id":47860311130250,"sku":null,"price":1150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/574d40ec84dff75d40f9bf0199468d4fp.png?v=1757793877"},{"product_id":"enrique-chagoya","title":"Untitled","description":"\u003cp\u003eEnrique Chagoya (Mexican-American, b. 1953, Mexico City)\u003cbr\u003eUntitled\u003cbr\u003eColor lithograph on paper, framed\u003c\/p\u003e\u003cp\u003eChagoya's work is in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum, the National Gallery of Art, SFMoMA, and the Art Institute of Chicago. He has received two NEA Fellowships, a Guggenheim Fellowship, and a Tiffany Fellowship. Professor at Stanford University since 1995.\u003c\/p\u003e\u003cp\u003eChagoya layers pre-Columbian imagery with fragments of American popular culture — comic book heroes colliding with codex figures, colonial maps folded into cartoon panels. This color lithograph carries that collision in a single compressed image. Printed with the precision that comes from decades of collaboration with master print shops including Crown Point Press.\u003c\/p\u003e","brand":"Enrique Chagoya","offers":[{"title":"Default Title","offer_id":47420673949834,"sku":null,"price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/Enrique_Chagoya_Jpg.png?v=1765204244"},{"product_id":"two-boats","title":"2 Boats","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003e2 Boats, 2013\u003cbr\u003eCarborundum and solar plate print\u003cbr\u003e16 × 18 in.\u003cbr\u003eEdition 9\/10\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eTwo vessels side by side, each built with a different weight and density. The carborundum gives the hulls a physical thickness you can feel through the paper. The solar plate etching adds fine line work around the edges. Printed at Oehme Graphics in Steamboat Springs, Colorado, by master printer Sue Oehme.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"Default Title","offer_id":47860304150666,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/Katherine_Bradford_2_Boats_Jpg.jpg?v=1772490999"},{"product_id":"yes-you-can","title":"Yes, You Can","description":"\u003cp\u003eIda Applebroog (American, 1929–2023)\u003cbr\u003eYes, You Can, 1996\u003cbr\u003ePhotogravure on Okawara machine-made paper with hand-torn deckle edges\u003cbr\u003e13 × 16 in.\u003cbr\u003eEdition 74\/100\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eApplebroog's work is in the collections of the Museum of Modern Art, the Guggenheim, the Whitney Museum, and the Metropolitan Museum of Art. She received a MacArthur Fellowship and the College Art Association's Lifetime Achievement Award. Represented by Hauser \u0026amp; Wirth.\u003c\/p\u003e\u003cp\u003eA photogravure on handmade Japanese paper with torn deckle edges. Applebroog spent five decades making work about power, gender, and the domestic theater of American life. The title reads like a campaign slogan — cheerful on the surface, unsettling underneath. That tension runs through everything she made.\u003c\/p\u003e","brand":"Ida Applebroog","offers":[{"title":"Default Title","offer_id":47860301594762,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/Ida_Applebroog_Yes_You_Can_1_Jpg.jpg?v=1772489307"}],"url":"https:\/\/michaelrosenthalart.com\/collections\/limited-edition-prints.oembed","provider":"Michael Rosenthal Art","version":"1.0","type":"link"}