{"title":"Available Works","description":"\u003cp\u003eSelected works from the collection of Michael Rosenthal — paintings, prints, and works on paper by artists shown and gathered over a lifetime in the art world. Each piece is available to acquire directly. Questions welcome.\u003c\/p\u003e","products":[{"product_id":"stripe-people","title":"Stripe People","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eStripe People\u003cbr\u003eLimited edition print\u003cbr\u003e15.5 × 20 in.\u003cbr\u003eEdition 20\/25\u003cbr\u003eSigned by the artist. Unframed.\u003c\/p\u003e\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\u003cp\u003eBradford's stripped-down human forms — a figure built with just a few marks, wearing horizontal stripes. One of the few editioned prints in the collection rather than a unique monotype. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"15.5x20 in","offer_id":47860309819530,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/StripePeople.jpg?v=1781808215"},{"product_id":"steamboat-emerald-1","title":"Steamboat Emerald","description":"\u003cp\u003e\u003cstrong\u003eKatherine Bradford\u003c\/strong\u003e (American, b. 1942)\u003cbr\u003e\n\u003cem\u003eSteamboat Emerald\u003c\/em\u003e\u003cbr\u003e\nCarborundum print\u003cbr\u003e\nApproximately 18 × 16 in.\u003cbr\u003e\nEdition 10\/10\u003cbr\u003e\nSigned by the artist. Unframed.\u003c\/p\u003e\n\n\u003cp\u003eAn emerald steamboat in carborundum — the printmaking technique Bradford uses to push pigment into the surface with painterly weight. The final impression in the edition.\u003c\/p\u003e\n\n\u003ch4\u003eA note on edition size\u003c\/h4\u003e\n\u003cp\u003eAn edition of ten is, in contemporary printmaking, deliberately small. Most editions today are sized between fifty and two hundred impressions, with commercial lithograph and poster editions sometimes running into the thousands. Editions of ten are reserved for collaborations between artists and master printers who want each impression to retain the rarity — and the per-piece value — of a closely held work. As Bradford's market grows, small editions like this one become progressively harder, and more expensive, to acquire on the secondary market.\u003c\/p\u003e\n\n\u003ch4\u003eProvenance — direct from Oehme Graphics\u003c\/h4\u003e\n\u003cp\u003eThis impression was produced at Oehme Graphics in Steamboat Springs, Colorado — the master print shop run by Sue Oehme, longtime collaborator with Katherine Bradford and one of the most respected printers working with contemporary American painters today. I acquired the studio's holdings of these editions directly from Sue. The work has not previously circulated on the public market: Oehme Graphics is an active, in-demand studio, and the editions sat with the printer rather than being released to dealers. That is why a print of this caliber — by an artist whose primary market has climbed sharply since these were pulled in 2018 — is still available at original gallery pricing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003eA rare opportunity for new collectors to acquire museum-quality work by one of today's most important American painters — at print pricing.\u003c\/h3\u003e\n\n\u003cp\u003eKatherine Bradford's paintings are held in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Brooklyn Museum, the Hirshhorn Museum, Crystal Bridges Museum of American Art, the Musée d'Art Moderne in Paris, the Baltimore Museum of Art, the Dallas Museum of Art, the Portland Museum of Art, the Menil Collection, the Frye Art Museum, and the Nerman Museum of Contemporary Art, among others. Her primary-market paintings now trade at prices reserved for blue-chip artists. Her prints — produced in tightly limited editions and unique impressions — remain the single most accessible way to bring her work into a private collection.\u003c\/p\u003e\n\n\u003ch4\u003eCurrent and forthcoming\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCommunal Table\u003c\/em\u003e, solo exhibition at Canada Gallery, New York (2025)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKatherine Bradford\u003c\/em\u003e, ICA at MECA, Portland, Maine — March through May 2026\u003c\/li\u003e\n\u003cli\u003eSolo presentation forthcoming at the Baltimore Museum of Art\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFlying Woman: The Paintings of Katherine Bradford\u003c\/em\u003e, the artist's first traveling museum survey, organized by the Portland Museum of Art and presented at the Frye Art Museum, Seattle (2022 – 2024)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch4\u003eAwards and honors\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eGuggenheim Fellowship\u003c\/li\u003e\n\u003cli\u003eJoan Mitchell Foundation Painters \u0026amp; Sculptors Grant\u003c\/li\u003e\n\u003cli\u003eTwo awards from the American Academy of Arts and Letters\u003c\/li\u003e\n\u003cli\u003eThe Rappaport Prize (2021)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA regular presence in museum programming, Bradford has spoken and been interviewed at the Portland Museum of Art, the Frye Art Museum, MoMA PS1, and the Brooklyn Museum in connection with her exhibitions and her place in contemporary American painting.\u003c\/p\u003e\n\n\u003ch4\u003eWhy now\u003c\/h4\u003e\n\u003cp\u003eBradford came to her singular subject — luminous, tender figures of swimmers, ships, superheroes, and divers — late, and her market has accelerated rapidly over the last five years as institutional recognition has caught up to her practice. Editions like the one offered here are typically the first works to leave a collector's wishlist when an artist's primary market climbs.\u003c\/p\u003e\n\n\u003cp\u003eEvery print ships with a Certificate of Authenticity and provenance documentation, direct from the gallery.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"18x16 in","offer_id":47860307198090,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/SteamboatEmerald.jpg?v=1781808216"},{"product_id":"green-pitcher-on-copper","title":"Green pitcher on Copper","description":"\u003cp\u003eA green pitcher stands dead center against vertical bands of red and mottled dark pattern, the copper sheet showing through as patina at the edges. The metal ground keeps shifting under the paint, so the still life never quite settles down.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAcrylic on copper sheet · 10 × 8 in · 2024\u003c\/em\u003e\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"10x8 in","offer_id":47048641773706,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/4d94bfaa182b73ded6dfc2364b6e2a71.jpg?v=1757791161"},{"product_id":"steamboat-usa","title":"Steamboat USA","description":"\u003cp\u003eKatherine Bradford (American, b. 1942)\u003cbr\u003eSteamboat USA\u003cbr\u003eCarborundum print\u003cbr\u003e18 × 16 in.\u003cbr\u003eEdition 7\/10\u003cbr\u003eSigned by the artist. \u003cstrong\u003eArchival framed.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBradford's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art. She received a Guggenheim Fellowship and was included in the Whitney Biennial.\u003c\/p\u003e\n\u003cp\u003eA red, white, and blue hull pushes across a dark ground. Bradford's signature steamboat in the colors of the flag. The carborundum process — silicon carbide mixed into adhesive on the plate — gives the print real physical depth and a painterly weight that most printmaking can't touch. Printed at Oehme Graphics in Steamboat Springs, Colorado.\u003c\/p\u003e","brand":"Katherine Bradford","offers":[{"title":"18x16 in","offer_id":47860309688458,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/SteamboatUSA.jpg?v=1781808218"},{"product_id":"night-moves-6","title":"Night Moves 6","description":"\u003cp\u003ePatrick Brennan (American, b. Syracuse, NY)\u003cbr\u003e\u003cem\u003eNight Moves 6\u003c\/em\u003e, 2020\u003cbr\u003eAcrylic on canvas\u003cbr\u003e10 × 8 in.\u003c\/p\u003e\u003cp\u003eBrennan has exhibited at MoMA\/PS1, Artist Space, Galerie Lelong, and Clifton Benevento in New York, Romer Young Gallery in San Francisco, V1 Gallery in Copenhagen, and Halsey McKay Gallery. He received a NYFA Fellowship in Painting in 2015 and has been reviewed in The New York Times, Modern Painters, Hyperallergic, and The Brooklyn Rail. His abstractions layer paint, dye, and spray against dark grounds — here, geometric forms nest inside each other on a deep blue-black field while a mesh of pink and green lines warps across a triangular shape above. The painting reads like a diagram of signal or frequency without naming it, built in thin precise lines against heavy, mottled texture.\u003c\/p\u003e\u003cp\u003eAcquired from the Famous Artists of Williamsburg Pop-Up Covid Survival Exhibit \u0026amp; Very Excellent Art Sale, organized by Jane Fine and James Esber at 179 Grand Street, Brooklyn, 2020. The show brought together seventeen Williamsburg artists during lockdown and was dedicated to Matt Freedman.\u003c\/p\u003e","brand":"Patrick Brennan","offers":[{"title":"10x8 in","offer_id":47860307787914,"sku":null,"price":1525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/NightMoves6.jpg?v=1781808218"},{"product_id":"green-field","title":"Green Field","description":"\u003cp\u003eLeon Goldin (American, 1923–2009)\u003cbr\u003eGreen Field, 1962\u003cbr\u003eOil on canvas\u003cbr\u003e10 × 12 in.\u003c\/p\u003e\u003cp\u003eGoldin's work is in the collections of the National Gallery of Art, the Smithsonian American Art Museum, the Brooklyn Museum, and the Pennsylvania Academy of Fine Arts. He received a Guggenheim Fellowship, a Fulbright Scholarship, and the Prix de Rome. He chaired the painting department at Columbia University from 1964 to 1992. This painting comes from the collection of Emily Mason and Wolf Kahn.\u003c\/p\u003e\u003cp\u003eA green field — ten by twelve inches of landscape reduced to color and gesture. Goldin painted thick, loaded surfaces. The green here isn't one green. It's six or seven greens worked into each other wet-on-wet. A small painting that carries the weight of the New York School in every brushstroke.\u003c\/p\u003e","brand":"Leon Goldin","offers":[{"title":"10x12 in","offer_id":47860306903178,"sku":null,"price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/GreenField.jpg?v=1781808219"},{"product_id":"swell-guys","title":"Swell Guys","description":"\u003cp\u003eLeon Golub (American, 1922–2004)\u003cbr\u003eSwell Guys, 1992\u003cbr\u003eLithograph\/screenprint\u003cbr\u003e19.5 × 15 in.\u003cbr\u003eEdition 42\/95\u003c\/p\u003e\u003cp\u003eGolub's work is in the collections of the Metropolitan Museum of Art, the National Gallery of Art, the Whitney Museum of American Art, the Smithsonian, and Tate. Retrospectives at the Met (2018) and Tate (2015). Represented by Hauser \u0026amp; Wirth. He received the Hiroshima Art Prize and the Skowhegan Medal for Painting.\u003c\/p\u003e\u003cp\u003eTwo figures, side by side, grinning. Golub built his career painting mercenaries, interrogators, and the machinery of political violence. By 1992 his figures had loosened — still menacing, but with a dark humor. The title says it all. Printed in a combined lithograph and screenprint process that gives the image both the softness of stone printing and the flat punch of screen ink.\u003c\/p\u003e","brand":"Leon Golub","offers":[{"title":"19.5x15 in","offer_id":47860310474890,"sku":null,"price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/SwellGuys.jpg?v=1781808220"},{"product_id":"toscane-rain","title":"Toscane Rain","description":"\u003cp\u003eJan Montyn (Dutch, 1924–2015)\u003cbr\u003eToscane Rain, 1983\u003cbr\u003eEtching\u003cbr\u003e11 × 16 in.\u003cbr\u003eEdition 11\/30\u003c\/p\u003e\u003cp\u003eMontyn's work is in the collections of the Museum of Modern Art in New York, the Bibliothèque Nationale in Paris, and Museum Boijmans Van Beuningen in Rotterdam. Self-taught, he was mentored by Dutch artist Anton Heyboer.\u003c\/p\u003e\u003cp\u003eRain over Tuscany — the landscape dissolving in weather. Montyn lived through the Second World War on the Eastern Front, and the experience marked everything he made. His etchings carry a rawness that comes from working directly on the plate with minimal planning. Small editions, no commercial polish. The line work here is quick and atmospheric — you feel the rain before you see the landscape.\u003c\/p\u003e","brand":"Jan Montyn","offers":[{"title":"11x16 in","offer_id":47860311130250,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/ToscaneRain.jpg?v=1781808259"},{"product_id":"untitled-pastoral","title":"Untitled Pastoral","description":"\u003cp\u003eElisabeth Higgins O'Connor (American, b. 1963)\u003cbr\u003eUntitled Pastoral, 2006\u003cbr\u003eWork on paper\u003cbr\u003e24 × 23 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eO'Connor received a Joan Mitchell Foundation MFA Fellowship and an artist residency at the Bemis Center for Contemporary Arts. Her work has been reviewed in Artforum and featured at The Contemporary Jewish Museum in San Francisco. Teaching faculty at UC Davis.\u003c\/p\u003e\u003cp\u003eA teeming cast of figures — gas-masked wanderers, animals, hybrid forms packed into a landscape that's somewhere between pastoral and post-apocalyptic. O'Connor builds her compositions from found textile scraps and layered mark-making. The drawing has the density of her large-scale sculptural assemblages, compressed onto a single sheet.\u003c\/p\u003e","brand":"Elisabeth Higgins O'Connor","offers":[{"title":"24x23 in","offer_id":47860311818378,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/UntitledPastoral.jpg?v=1781808260"},{"product_id":"drunk-tiger","title":"Drunk Tiger","description":"\u003cp\u003eKottie Paloma (American, b. 1974, Los Angeles; based in Vienna)\u003cbr\u003eDrunk Tiger, 2007\u003cbr\u003eDrawing on paper\u003cbr\u003e13.5 × 16.25 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003ePaloma's work and publications are in the collections of Tate Modern, the Museum of Modern Art, the Library of Congress, Harvard, Yale, and Stanford. Represented by Saatchi Yates, London. Studied at California College of the Arts.\u003c\/p\u003e\u003cp\u003eA magnificently rumpled tiger sprawls across the page, looking like it just got back from somewhere it shouldn't have been. Paloma draws animals and figures with a loose, punk energy — fast marks, vivid color, no corrections. The tiger is funny and alive. The title is the whole story.\u003c\/p\u003e","brand":"Kottie Paloma","offers":[{"title":"13.5x16.25 in","offer_id":47860306444426,"sku":null,"price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/DrunkTiger.jpg?v=1781808260"},{"product_id":"long-fall","title":"Long Fall","description":"\u003cp\u003eJanis Provisor (American, b. 1946)\u003cbr\u003eLong Fall, 1989\u003cbr\u003eLimited edition print\u003cbr\u003e32.5 × 22 in.\u003cbr\u003eFramed.\u003c\/p\u003e\u003cp\u003eProvisor's work is in the collections of the National Gallery of Art, the Albright-Knox Art Museum, the Ludwig Museum in Aachen, and the Oakland Museum of Art. She has printed with Shark's Ink and Crown Point Press, and exhibited at Holly Solomon Gallery alongside Judy Pfaff and Mary Heilmann.\u003c\/p\u003e\u003cp\u003eCascading clusters of dark, berry-like forms tumble through the composition. Provisor combines lithography, woodcut, chine collé, and metallic-leaf grounds — layering printmaking techniques the way a painter layers glazes. Nine years in Hong Kong deepened her interest in decorative pattern and material richness. This print has that density.\u003c\/p\u003e","brand":"Janis Provisor","offers":[{"title":"32.5x22 in","offer_id":47860307394698,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/LongFall.jpg?v=1781808261"},{"product_id":"tahiti_beach","title":"Tahiti Beach — St. Tropez","description":"\u003cp\u003eA grey-toned nude stands on a yellow beach, dark hills and blue water behind her. In the lower corner a large pink pig's head pushes into the frame, looking up at her. The pairing is left unexplained, and signed plainly: ROSENTHAL.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eOil on canvas · 11 × 8 in · 2005\u003c\/em\u003e\u003c\/p\u003e","brand":"Michael Rosenthal","offers":[{"title":"11x8 in","offer_id":47860310704266,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/6564\/0074\/files\/ce34d68d1cb2bea36ec5f163f730dbbbj.jpg?v=1757793890"},{"product_id":"estes-park-colorado","title":"Estes Park, Colorado","description":"\u003cp\u003eA mountain built from pink and magenta with dark green pines stabbed across it, blue sky and heavy white clouds above, orange and yellow fields spilling toward the foreground. 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